The Lost Princess of Oz, by Lyman Frank Baum
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The Lost Princess of Oz, by Lyman Frank Baum
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Some of my youthful readers are developing wonderful imaginations. This pleases me. Imagination has brought mankind through the Dark Ages to its present state of civilization. Imagination led Columbus to discover America. Imagination led Franklin to discover electricity. Imagination has given us the steam engine, the telephone, the talking-machine and the automobile, for these things had to be dreamed of before they became realities. So I believe that dreams — day dreams, you know, with your eyes wide open and your brain-machinery whizzing — are likely to lead to the betterment of the world. The imaginative child will become the imaginative man or woman most apt to create, to invent, and therefore to foster civilization. A prominent educator tells me that fairy tales are of untold value in developing imagination in the young. I believe it. Among the letters I receive from children are many containing suggestions of "what to write about in the next Oz Book." Some of the ideas advanced are mighty interesting, while others are too extravagant to be seriously considered — even in a fairy tale. Yet I like them all, and I must admit that the main idea in "The Lost Princess of Oz" was suggested to me by a sweet little girl of eleven who called to see me and to talk about the Land of Oz. Said she: "I s'pose if Ozma ever got lost, or stolen, ev'rybody in Oz would be dreadful sorry." That was all, but quite enough foundation to build this present story on. If you happen to like the story, give credit to my little friend's clever hint. L. Frank Baum Royal Historian of Oz
The Lost Princess of Oz, by Lyman Frank Baum- Published on: 2015-03-26
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .23" w x 6.00" l, .31 pounds
- Binding: Paperback
- 98 pages
From the Publisher This book is in Electronic Paperback Format. If you view this book on any of the computer systems below, it will look like a book. Simple to run, no program to install. Just put the CD in your CDROM drive and start reading. The simple easy to use interface is child tested at pre-school levels.
Windows 3.11, Windows/95, Windows/98, OS/2 and MacIntosh and Linux with Windows Emulation.
Includes Quiet Vision's Dynamic Index. the abilty to build a index for any set of characters or words.
This Electronic Paperback is illustrated.
This Electronic Paperback is read aloud by an actor.
From the Inside Flap Book 8 of L. Frank Baum's immortal OZ books, in which Ozma is lost -- as are all the known magical instruments in Oz -- and how the search party of Dorothy, the Wizard and other loyal friends embarks upon bizarre adventures and meets such strange creatures as the Frogman and the Lavender Bear while trying to find her.
About the Author Lyman Frank Baum (May 15, 1856 – May 6, 1919), better known by his pen name L. Frank Baum, was an American author chiefly known for his children's books, particularly The Wonderful Wizard of Oz. He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works (55 novels in total, plus four "lost works", 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings), and made numerous attempts to bring his works to the stage and screen. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high risk, action-heavy occupations (Mary Louise in the Country), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work). Baum's avowed intentions with the Oz books, and other fairy tales, was to re-tell tales such as are found in the works of the Brothers Grimm and Hans Christian Andersen; make them in an American vein, update them, avoid stereotypical characters such as dwarfs or genies, and remove the association of violence and moral teachings. Although the first books contained a fair amount of violence, it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons. His stories still include decapitations, eye removals, maimings of all kinds, and other violent acts, but the tone is very different from Grimm or Andersen. Baum was born in Chittenango, New York, in 1856, into a devout Methodist family. He had German, Scots-Irish, and English ancestry, and was the seventh of nine children of Cynthia Ann (née Stanton) and Benjamin Ward Baum, only five of whom survived into adulthood. "Lyman" is the name of his father's brother, but he always disliked it and preferred his middle name, "Frank". On May 5, 1919, Baum suffered a stroke. The following day he slipped into a coma but briefly awoke and spoke his last words to his wife, "Now we can cross the Shifting Sands." Frank died on May 6, 1919. He was buried in Glendale's Forest Lawn Memorial Park Cemetery. His final Oz book, Glinda of Oz, was published on July 10, 1920, a year after his death. The Oz series continued long after his death by other authors, who wrote an additional nineteen Oz books.
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Most helpful customer reviews
12 of 12 people found the following review helpful. Oz All-Stars By Blake Petit Like the previous Oz book, "Rinkitink in Oz," this was an outing by Baum that scores by deviating a bit from the standard Oz formula. The characters in the book are on a journey, as usual, but instead of trying to get to the Emerald City, the characters are departing that city to find the missing Princess Ozma who, along with most of the powerful magical objects in Oz, has vanished. Furthermore, Baum puts together one of the largest primary casts ever in an Oz book, including Dorothy and Toto, the Wizard, the Patchwork Girl, the Sawhorse, the Cowardly Lion, Betsy Bobbin and Hank, Trot and Button-Bright and the Woozy, as well as adding the Frogman, Cayke the Cookie Cook and the Big Lavender Bear and the Little Pink Bear.While it's nice to see to many characters, it does hurt the book somewhat -- it shows really how superfluous Besty and Trot are with Dorothy around, and it includes a bizarre little subplot with Toto that doesn't really add much. Furthermore, the ending is really syrupy and saccharine, even for an Oz book.The addition of the Frogman is a major plus, though -- he is easily the most entertaining new character added to the series since Scraps the Patchwork Girl, and it was nice to have a book that for once didn't rely on the old villains like the Nome King or the old deus ex machina of Ozma's magic picture and Glinda's magic book. In fact, I kind of wish those two items had stayed lost -- other Oz books rely on them entirely too much for their resolution.
13 of 14 people found the following review helpful. A Lost Princess By A Customer The Lost Princess of Oz is one of L. Frank Baum's most imaginative books. It begins with a serious problem, Ozma's disappearance, and with many of the favorite characters. Yet in a parallel story, an early chapter takes us to the Winkie Country and introduces us to some delightful new characters, The Frogman and Cayke the Cookie Cook. We know that Cayke's stolen magic dishpan is somehow related to Ozma's disappearance.I love the role that Scraps, the Patchwork Girl, plays in this book. We meet some whimsical new villages and the beings who inhabit them. We pay attention to small details that are nonetheless important to those most affected by them, such as Toto's missing growl. Illusions are turned upside down and inside out, making us think. It's a delightful journey, all in all, one that I highly recommend.
6 of 6 people found the following review helpful. Great fun to read By F. Orion Pozo Tik-Tok of Oz by L. Frank Baum (Books of Wonder edition)Tik-Tok of Oz is a delightful book with an interesting story of how it came to be. A small Editor's Note by Peter Glassman on page 10 of this book tells the story. There had been two successful stage plays based on the first two Oz books and Baum wanted to write a play based on the third, Ozma of Oz. However, he found out he couldn't use many of the characters because he had already sold the stage rights to them. He took the plot of the third book and changed Dorothy and Ozma into two new characters Betsy Bobbin and Queen Ann Soforth. Then he used the popular Shaggy Man who was introduced in The Road to Oz and changed many of the incidents in the story to create a new script for the stage that he called The Tik-Tok Man of Oz. The play was a success so he then rewrote it into this novel.If you have read Ozma of Oz, you will indeed see the similarities. Once again an army of one soldier and many officers is led by a girl leader in an attack against the Nome King. This time it is Queen Ann Soforth from the smallest and poorest kingdom in Oz. She is young and tired of her tiny kingdom and wants to seek adventure. When her sister jokingly suggests that Ann raise an army and conquer Oz, Ann likes the idea. She convinces all but one of the eighteen men of her kingdom to join her army and they set out. However, the sorceress Glinda, learns of her plans and magically transports Ann and her army across the Deadly Desert and out of Oz entirely.Meanwhile Betsy Bobbin, like Dorothy in Ozma of Oz, is lost at sea in a storm with her companion Hank the Mule. They are cast up on shore of the Rose Kingdom where they meet up with the Rose Princess, the Shaggy Man and Polychrome, the Rainbow's daughter. This group goes on a quest with the Shaggy Man who is seeking his lost brother, a prisoner of the Nome King. They meet up with Queen Ann's army and Tik-Tok. This large group decides to go in search of the Nome King together.Their quest leads them to the fairy kingdom of the great Jinjin, Tititi-Hoochoo where they meet a young dragon named Quox. Their encounter with the Nome King is terribly amusing and their search for the Shaggy Man's brother has a remarkable outcome.What starts out as a reworking of another story takes on a life of its own to become an entertaining and amusing story. The John R. Neill illustrations are wonderful and there are 12 full-page color plates. The end papers present the first published map of the land of Oz.
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