The Woman in White, by Wilkie Collins

The Woman in White, by Wilkie Collins

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The Woman in White, by Wilkie Collins

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The Woman in White is an epistolary novel written by Wilkie Collins in 1859, serialized in 1859-1860, and first published in book form in 1860. It is considered to be to the first mystery novel, and is widely regarded as one of the first (and finest) in the genre of ’sensation novels’…. The Woman in White is also an early example of a particular type of Collins narrative in which several characters in turn take up the telling of the story. This creates a complex web in which readers are unsure which narrator can, and cannot, be trusted. Collins used this technique in his other novels, including The Moonstone. This technique was copied by other novelists, including Bram Stoker, author of Dracula (1897), although by the end of the 19th century the technique was considered “old-fashioned”. The Woman in White is an epistolary novel written by Wilkie Collins in 1859, serialized in 1859-1860, and first published in book form in 1860. It is considered to be among the first mystery novels. The various strands of the plot combine to produce a thrilling story, leading this particular type of fiction to be described as 'sensation'. A strong theme in the novel is that of marriage and its impact on women (in particular on Laura Fairlie). The plot revolves around men stealing women's identities.

The Woman in White, by Wilkie Collins

• Published on: 2015-03-25
• Original language: English
• Dimensions: 9.00" h x 1.08" w x 6.00" l,
• Binding: Paperback
• 432 pages

The Woman in White, by Wilkie Collins

From Publishers Weekly Starred Review. Playwright and audio dramatist Beverley Cooper has done a masterful job in adapting Collins's classic Victorian suspense novel to the audio medium. Within the framing story of a courtroom setting, each character stands up to describe the events that he or she has witnessed; the words of testimony then fade into a flashback scene, so the listener can experience the story as it unfolds. The actors are simply marvelous, particularly Douglas Campbell as the oily, sinister Count Fosco and Cedric Smith as Lord Percival Glyde, the manipulative gold digger with secrets to hide. Suzanne Hoffman sounds appropriately sweet and lovely as Laura, the damsel in distress, and Gina Wilkinson gives a nice contrasting performance as her practical, intelligent and down-to-earth sister, Marian. The story is well paced and suspenseful, while background music adds a subtly ominous atmosphere without distracting from the tale. Likewise, the production uses just the right amount of sound effects. With its colorful characters and air of mystery, this superb dramatization truly does the tale justice. (Dec.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review `with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World's Classics are surely the most desirable series and, all-round, the best value for money' Oxford Times`Collins's mid-Victorian novel is one of the first, and possibly still the greatest, of all literary thrillers.' The Irish Times

From the Publisher "There in the middle of the broad, bright high-road-there, as if it had that moment sprung out of the earth or dropped from the heaven-stood the figure of a solitary woman, dressed from head to foot in white garments." Thus young Walter Hartright first meets the mysterious woman in white in what soon became one of the most popular novels of the nineteenth century. Secrets, mistaken identities, surprise revelations, amnesia, locked rooms and locked asylums, and an unorthodox villain made this mystery thriller an instant success when it first appeared in 1860, and it has continued to enthrall readers ever since. From the hero's foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collin's narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing. Collins other great mystery, The Moonstone, has been called the finest detective story ever written, but it was this work that so gripped the imagination of the world that Wilkie Collins had his own tombstone inscribed: "Author of The Woman In White. . . "

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430 of 437 people found the following review helpful. A Classic Mystery That Keeps You Guessing By Gazelle I'd never heard of Wilkie Collins before I got my Kindle. In searching out free classics, I of course found a number of references to this classic mystery. I inferred from the title that the woman in white was a ghost (who knows why!) so fully expected some specter to rise out of the misty moors. Instead, I was surprised to find myself in the grip of a diabolical and tragic tale told by several different and distinct voices. While a tad overlong - why use one word when you can use six? - my thumb rarely left the Next Page button. I had no desire to 'cheat' on Walter, Laura, Marion, Anne, the Baronet and Fosco with another book, and in fact could barely put down my Kindle until I could no longer keep my eyes open in the wee hours of the night. Collins was a genius at keeping the reader guessing, which I did throughout. Just when I thought I had it all figured out, Collins read my thoughts and threw me a curveball. And though the language is very old-fashioned and formal - think 19th century England - I had few troubles figuring out the odd unfamiliar phrase. Of course, it was tough not to chuckle at the quaint and genteel 'evils' that seem so commonplace today, but it didn't take away from my enjoyment of the book. If anything, it added to it. After reading - and thoroughly enjoying - The Woman in White, I can clearly understand why this classic has endured.A note on Kindle formatting: I have seen reviews of other Kindle freebies that were badly formatted and/or edited, but that was not the case with this book. Not only were there few (if any) typos, the formatting was quite readable. The one addition I would have liked is a linked table of contents. If you find a 99 cent version that boasts such a TOC, I'd recommend buying it instead of downloading it for free as I would have like to have looked back at different characters' accounts after reading them.If this review gave you information that was helpful, please feel free to click the YES button below!

320 of 332 people found the following review helpful. Innocence, Villainy and Heroism By Lance C. Panzer Laura Fairly is the innocent, the young, sheltered, Victorian maiden who abides by her departed father's wishes. On his deathbed, he bids her to marry Sir Percival Glyde. Enter villainy. The grasping, frightened, short-tempered Sir Percival insists on a speedy wedding. He handily dispatches any obstacles thrown up in his path; he is damned and determined to wed Laura--and her fortune. But Laura has a sister, Marian, a strong-willed, independent, fiercely loyal sister who at first champions the marriage and then recoils once she realizes the true nature of Sir Percival. The man is a monster. And Marian will do anything to protect her sister. Heroism, and then some. There is also another, a drawing master named Walter Hartright, commissioned to teach Laura and Marian the fine art of watercolors. He falls in love with Laura, and she with him--before her marriage to Sir Percival. The drama should be obvious.But what of the title? Who is the Woman in White? Her chance meeting with Walter Hartright on the road to London provides the catalyst upon which the entire narrative turns. She is at once and both the key and the puzzle. She is a victim. She is a harbinger. She scares Sir Percival out of his wits.This book offers vivid portrayals of Victorian England, its mannerisms, its wardrobe, its inhibitions, its attitude. This book eerily reflects our own time, our own angst, in the 21st century. Once you read it, you'll know what I mean. Deception has no age.P.S. Whatever you do, don't turn your back on Count Fosco!

170 of 177 people found the following review helpful. Gripping plot, engaging characters By Michael B. Collins I read this book in one day, a day where no classes were attended, no phone calls were taken, and no visits made. I cooked and ate my food with it in hand, and sometimes damned my inability to read faster, I was so eager to find out what was going to happen next."The Woman in White" is not just one of the most engaging and gripping Victorian novels I have ever read, it is one of the most engaging and gripping novels of all time. Collins creates vivid, memorable characters (ranging from brave intelligent Marian to the surprising and sinister Count Fosco) who are engaged in a plot that twists and turns like nothing else. There are so many unexpected, even shocking incidents, and Collins moves between them with exactingly precise yet graceful and beautiful prose. Not only that, his narrative style, which moves from character to character, allows for fantastic comic interludes which break up the drama (the chapter from the point of view of the hypochondriac uncle is gut-bustingly funny).A couple of people I know, who are generally not fond of 19th century literature, loved this book. I have never met someone who has not been charmed by it. I strongly urge anyone and everyone to read it.

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The Woman in White, by Wilkie Collins

The Woman in White, by Wilkie Collins